| Name | Title | Supervisor | Year |
|---|---|---|---|
| Addleman-Frankel, Kate | Dividing Lines: Early Photogravure, Reproduction, and the History of Photography | Bear, Jordan | 2019 |
| Angel, Sara Joy | A Moral Persuasion: The Nazi-Looted Art Recoveries of the Max Stern Art Restitution Project, 2002–2013 | Legge, Elizabeth | 2017 |
| Aronowicz, Miriam | The Triangle Arts Trust: Contemporary - Art and Transnational Production | Harney, Elizabeth | 2017 |
| Bacal, Edward David | Bodies Withdrawn: The Ethics of Abstraction in Contemporary Post-Minimal Art | Ricco, John Paul | 2018 |
| Beggs, Margo | Harriet Hosmer (1830–1908): Fame, Photography, and the American 'Sculptress' | Gotlieb, Marc | 2013 |
| Belford, Liora | Toward Listening as a Curatorial Method: Histories, Methodologies, Propositions | Legge, Elizabeth | 2021 |
| Bissett, Tara | The Architectural Imprint: Architecture and its Graphic Image in Early Modern France | Anderson, Christy | 2017 |
| Boivin, Julie | Radical Ornament: Its Effects and Affects Understood through the Materiality of Rocaille Ornament and Body-horror Films | Cheetham, Mark A. | 2015 |
| Bücheler, Anna | Ornament as Argument: Textile Pages and Textile Metaphors in Medieval German Manuscripts (800–1100) | Cohen, Adam S. | 2014 |
| Carroll, Leanne Katherine | Artist Writings: Critical Essays, Reception, and Conditions of Production since the 60s | Cheetham, Mark A. | 2013 |
| Carson, Rebekah A. | Andrea Riccio's Della Torre Tomb Monument: Humanism and Antiquarianism in Padua and Verona | Nagel, Alexander | 2010 |
| Couzin, Robert | Death in a New Key: The Christian Turn of Roman Sarcophagi | Caskey, Jill | 2013 |
| Dewan, Rachel | Containing Meaning: Miniature Pottery on Bronze Age Crete | Knappett, Carl | 2021 |
| Diack, Heather | The Benefit of the Doubt: Regarding the Photographic Conditions of Conceptual Art, 1966–1973 | Kaplan, Louis | 2012 |
| Doucet, Emily | Developing the Future: Felix Nadar's Photographic Experiments | Bear, Jordan | 2020 |
| Dunlop, Derek | Intractable Romanticism: Art, Nature, and Practices of the Aesthetic in Three Contemporary Settler Ecologies | Jain, Kajri | 2025 |
| Efrat, Liron | Welcome to the Oasis of The Real: The Aesthetics of Convergence in Augmented Reality | Kaplan, Louis | 2021 |
| El-Shamy, Lina | Salon Modhab: The Gilded Salons of Egyptian Homes | Harney, Elizabeth | 2024 |
| Emmelhainz, Irmgard | Before Our Eyes: Les mots, non les choses. Jean-Luc Godard's "Ici et ailleurs" (1970–74) and "Notre musique" (2004) | Ricco, John Paul | 2010 |
| Gagne, Laura | Middle Cypriot White Painted Ware: A Study of Pottery Production and Distribution in Middle Bronze Age Cyprus | Knappett, Carl | 2012 |
| Gheorghiade, Paula | A Network Approach to Cultural Interaction and Maritime Connectivity on Crete during the Late Bronze Age–Late Minoan II–IIIB2 | Knappett, Carl | 2020 |
| Glover, Angela Dorothy | Reconstructing the Office Furniture: The Art of Early Modern Choir Stall | Kavaler, Ethan Matt | 2016 |
| Gorjeltchan, Sasha | Fixing History: Time, Space, and Monastic Identity at Saint-Aubin in Angers ca. 1100 | Cohen, Adam S. | 2019 |
| Guerin, Sarah Margaret | Tears of Compunction: French Gothic Ivories in Devotional Practice | Cohen, Adam S. | 2012 |
| Harper, Alexander | Patronage in the re-Christianized Landscape of Angevin Apulia: The Rebuilding of Luceria sarracenorum into Civitas Sanctae Mariae | Caskey, Jill | 2014 |
| Hirschey, Paige | At the Frontier of the Impossible: Reimagining the Legacies of György Kepes and the Center for Advanced Visual Studies | Cheetham, Mark | 2022 |
| Hoare, Alexandra | Salvator Rosa as "Amico vero": The Role of Friendship in the Making of a Free Artist | Sohm, Philip | 2012 |
| Horbatsch, Olenka | Impressions of Innovation: Early Netherlandish Printmaking | Kavaler, Ethan Matt | 2017 |
| Iarocci, Bernice | The Santissima Annunziata of Florence, Medici Portraits, and the Counter Reformation in Italy | Sohm, Philip | 2015 |
| Jakobiec, Katarzyna Anna | Grain, Stone, and Red Velvet: The Material Assemblages of a City on the Vistula River in Poland, c. 1555–c. 1655 | Anderson, Christy | 2014 |
| Katz, Dana | A Changing Mosaic: Multicultural Exchange in the Norman Palaces of Twelfth-Century Sicily | Caskey, Jill | 2017 |
| Kralik, Christine | A Matter of Life and Death: Forms, Functions and Audiences for "The Three Living and the Three Dead" in Late Medieval Manuscripts | Caskey, Jill | 2013 |
| Kulick, Rachel | Urban Soil Micromorphology at Bronze Age Palaikastro, Crete: A Geoarchaeological Investigation of Site Formation Processes | Knappett, Carl | 2017 |
| Kurtovic, Nikolina | Communist Stardom in The Cold War: Josip Broz Tito in Western and Yugoslav Photography, 1943–1980 | Legge, Elizabeth | 2012 |
| Lampert Golding, Rebecca | Visualizing Medicine in the Twelfth Century: Bodily Disease, Spiritual Cure, and Christian Salvation | Cohen, Adam S. | 2022 |
| Lauder, Adam | Digital Materialisms: Information Art In English Canada, 1910–1978 | Legge, Elizabeth | 2017 |
| Litvack, Chaya Amy | Entries to Intimacy: Shared Solitude in Garth Greenwell's What Belongs to You, Anne Carson's Nox, and Roni Horn's Another Water (The River Thames, for Example) | Ricco, John Paul | 2019 |
| Lortie, Marie | Afrique en Créations 1990–2011: Transnational Patronage in the Francophonie | Harney, Elizabeth | 2018 |
| Louria-Hayon, Adi | Folding Spaces and Porous Bodies: Sound and Sight in Bruce Nauman's Oeuvre | Cheetham, Mark A. | 2013 |
| Mangone, Carolina | Bernini as the Seicento Michelangelo: Imitation and Identity in Art, Architecture and Biography | Levy, Evonne | 2012 |
| Mattison, Elizabeth Rice | Reforming Sculpture: The Prince-Bishopric of Liege, 1468–1566 | Kavaler, Ethan Matt | 2021 |
| McQuillen, John Thomas | In Manuscript and Print: The Fifteenth-century Library of Scheyern Abbey | Cohen, Adam S. | 2014 |
| Midanik, Shaun | Between Two Trades: Books of Prints in Early Modern Italy (1450-1700) | Levy, Evonne; Sohm, Philip | 2025 |
| Mikulinsky, Alma | The Chisel and the Lens: Picasso, Brassaï, and the Photography of Sculptures: 1933–1948 | Legge, Elizabeth | 2013 |
| Miller, Amy Rebecca | The Stones of Cumbria | Cohen, Adam S. | 2011 |
| Minden, Ariella | In Dialogue: Medial Thinking in Bolognese Printmaking, 1500-1530 | Levy, Evonne | 2024 |
| Moss, Elizabeth Yoder | Framing the Holy: Revetments on Late Byzantine Icons | Safran, Linda; Caskey, Jill | 2017 |
| Murray, Colin Alexander | Collaborative Painting Between Minds and Hands: Art Criticism, Connoisseurship, and Artistic Sodality in Early Modern Italy | Sohm, Philip | 2017 |
| Myburgh, Brittany | Projected Visions: László Moholy-Nagy, Thomas Wilfred, and Light Art in the Twentieth Century | Kaplan, Louis | 2021 |
| Napolitano, Elena Cristina | Prospects of Statecraft: Diplomacy, Territoriality, and the Vision of French Nationhood in Rome, 1660–1700 | Levy, Evonne | 2012 |
| Purvis, Betsy Bennett | Palpable Politics and Embodied Passions:Terracotta Tableau Sculpture in Italy, 1450–1530 | Sohm, Philip | 2012 |
| Reddy, Meredith Kaitlin | Artful Mediums: Women, Séance Photography, and Materialization Phenomena, 1880–1930 | Kaplan, Louis; Syme, Alison | 2015 |
| Richards, Sandra | From the Chapel to the Gallery: The Aestheticization of Altarpieces in Early Modern Italy | Sohm, Philip | 2013 |
| Richardson, Sarah Aoife | Painted Books for Plaster Walls: Visual Words in the Fourteenth-century Murals at the Tibetan Buddhist Temple of Shalu | Purtle, Jenny | 2016 |
| Rife, Michaela Elaine | Public Art, Private Land: Settler Colonialism and Environment in New Deal Murals on the Great Plains | Cheetham, Mark | 2020 |
| Sager, Tia | The Poetics and Politics of Space: A Regional Analysis of the Cretan Final Palatial and Postpalatial Built Environment | Knappett, Carl | 2023 |
| Slattery, Susan | Performing Portraiture: Picturing the Upper-class English Woman in an Age of Change, 1890–1914 | Syme, Alison | 2019 |
| Smither, Devon | Bodies of Anxiety: The Female Nude in Modern Canadian Art, 1913–1945 | Cheetham, Mark A. | 2017 |
| Stead, Adam Robert | Rebuilding St. Kunibert: Artistic Integration, Patronage, and Institutional Identities in Thirteenth-Century Cologne | Cohen, Adam S. | 2013 |
| Steingart, Elana | Semiotic Validity in Incomplete Aegean Bronze Age Seal Impressions | Knappett, Carl | 2023 |
| Stone, Linda Gail | Terrible Crimes and Wicked Pleasures: Witches in the Art of the Sixteenth and Seventeenth Centuries | Kavaler, Ethan Matt | 2012 |
| Tankha, Akshaya | An Aesthetics of Endurance: Art, Visual Culture and Indigenous Presence in Nagaland, Northeast India | Jain, Kajri | 2020 |
| Tsoumis, Karine | Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice | Sohm, Philip | 2013 |
| Wallace, Amy Catherine | Studio of Nature: The Transformation of Artists' Studios, 1845–1910 | Cheetham, Mark | 2019 |
| Wang, Gary | Modern Girls and Musclemen: The Body Beautiful, Aesthetic Education and the Confusions of Progress in Republican Chinese Print, Circa 1917-1934 | Purtle, Jenny | 2024 |
| Ward, Flora Thomas | Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo | Caskey, Jill | 2014 |
| Welch, Adam Douglas Swinton | Borderline Research: Histories of Art between Canada and the United States, c. 1965–1975 | Legge, Elizabeth | 2019 |
Completed Dissertations